Robert Christgau was also lukewarm in Creem, saying Lynyrd Skynyrd is "still a substantial, tasteful band, but I have a hunch they blew their best stuff on the first platter." Ĭhristgau warmed to the album later, however, reappraising it in Christgau's Record Guide: Rock Albums of the Seventies (1981) he observed "infectious putdowns of rock businessmen, rock journalists, and heroin", and "great formula" in general: "When it rocks, three guitarists and a keyboard player pile elementary riffs and feedback noises into dense combinations broken by preplanned solos, while at quieter moments the spare vocabulary of the best Southern folk music is evoked or just plain duplicated." In a retrospective review for AllMusic, Stephen Thomas Erlewine said Second Helping "replicated all the strengths" of the first album's expert Southern rock "but was a little tighter and a little more professional." Houston Press named it in #2 on its list "Five Essential Boogie-Rock Albums." Track listing If a song doesn’t feel right to the Brothers, they work on it until it does if it isn’t right to Lynyrd Skynyrd, they are more likely to crank up their amps and blast their way through the bottleneck." Fletcher concluded that Second Helping is distinct from (Pronounced 'Lĕh-'nérd 'Skin-'nérd) "only by a certain mellowing out that indicates they may eventually acquire a level of savoirfaire to realize their many capabilities".
Reviewing for Rolling Stone in 1974, Gordon Fletcher said Lynyrd Skynyrd performs a consistent style of Southern music-influenced blues rock similar to the Allman Brothers Band but lacks that group's "sophistication and professionalism.
#Lynyrd skynyrd the needle and the spoon professional
Second Helping features King, Collins and Rossington all collaborating with Ronnie Van Zant on the songwriting, and cemented the band's breakthrough.Ĭritical reception Professional ratings Review scores After the success of their debut album, (Pronounced 'Lĕh-'nérd 'Skin-'nérd), Lynyrd Skynyrd's fan base continued to grow rapidly throughout 1973, largely due to their opening slot on the Who's Quadrophenia tour in the United States.